The privatized and ghettoized church behind the wall is confronted by a dual crisis: an internal crisis of identity and an external crisis of relevance. Therefore, to shape a dialogical relationship through public dialogue is an essential task of the public church, the so-called "go-to-all" church. To execute "public dialogue" as the commission to the "go-to-all" this book concerns a Korean art- cultural pattern of public dialogue, particularly madangg?k. Madangg?k is a compound noun: madang (open place) + g?k (theatre). It contains the three elements for public dialogue— place, a medium, and communicative principles for public dialogue. As an alternative with the purpose of overcoming "binary opposition" and shifting from monologism to "dialogism," this book suggests three alternative models of public dialogue: (1) Incarntional Public Dialogue, (2) Critical Public Dialogue, and (3) Festival Public Dialogue, Furthermore, in order to construct or transform into a "dialogical...